Visual Arts Faculty and IMDA Candidate in Socially Engaged Art Journal

Visual arts faculty Tom Beck, Tim Nohe and Steve Silberg, and IMDA candidate, Charlotte Keniston were featured in the first edition of Socially Engaged Art Journal (SEAJ).

“Engaging Community: Art and Food In Baltimore City” written by Charlotte Keniston discusses the artists’ work and UMBC thesis project centered upon food deserts in Baltimore; “My Station North” focuses on a collaborative exhibition by Keniston and Nohe, in which they work with children at Baltimore Montessori Public Charter School to document the Station North neighborhood of Baltimore through sound and photography; and “The Hughes Remix Project” written by Beck and Silberg details the development of the new Project archive containing “175 remixed, reinvented, reinterpreted, and reimagined images of Baltimore street scenes, promotional and advertising work, businesses, churches, schools, monuments, factories, machinery, and portraits.”

SEAJ is an online publication that showcases the work of artists whose practice, community art or social design is socially engaged. The first issue is titled “Baltimore.”

A. Moon ’99 MFA, Imaging and Digital Arts, Named Fulbright Scholar

A. Moon ’99 MFA, Imaging and Digital Arts, multimedia artist and staff member of the Academic Outreach and Engagement Division at Morgan State University, has received a Fulbright Research Award to examine the intersections between contemporary film production in Turkey and practices in the Asian American filmmaking community.

“My research will have two identifiable outcomes, motivated by a need for more open dialogue and cultural exchange, specifically within the area of film, between the U.S. and Turkey: (1) I will organize a screening of work by contemporary Asian American media artists to present in Turkey; and (2) I will curate a program of work by Turkish media artists to screen at venues in the United States.

A cross‐cultural study of Turkish and Asian American film presents the opportunity to examine many topical issues in the field of media studies including global/national identities, cultural memory, and hybridity. Just as Turkey is often described as occupying a peculiar geographic and cultural space that is “neither Eastern, nor Western but both and neither simultaneously” (Arslan, 2011), Asian Americans occupy a similarly interstitial position culturally and racially in contemporary America.”

MFA Thesis Exhibition in City Paper

imageThe MFA Thesis Exhibition, now on display in the CADVC, was mentioned in an article by City Paper‘s Baynard Woods last week. The article highlighted UMBC’s well connected Visual Arts faculty, staff and MFA candidates in relation to the Baltimore arts community. Woods also mentions IMDA candidate Lexie Mountain’s performance piece exhibited at the opening, Fred Worden Cuts A Couch In Half With A Chainsaw.

Read “Art Seen” at City Paper‘s website.

Project Mah Jongg with Work by Tim Nohe, Visual Arts, in Baltimore Jewish Times, Baltimore Sun

Project Mah Jongg, a collaborative, traveling exhibition that includes sound design by Tim Nohe, visual arts, along with original works by other nationally acclaimed artists, was featured in the Baltimore Jewish Times and the Baltimore Sun this week. Centered upon Project Mah Jongg’s display at the Jewish Museum of Maryland this month, the articles discuss the exhibition’s success in highlighting the tradition, memory and history of Mah Jongg in American Jewish communities.

“Mah-jongg exhibit runs at Jewish Museum”, Baltimore Sun
“America’s Other Pastime”, Baltimore Jewish Times

In the exhibition, Nohe completed sound design for three “Muji” players, documenting games in New York City’s Chinatown and Upper East Side. The exhibition, designed by Abbott Miller of Pentagram, features artwork by Christoph Niemann, Isaac Mizrahi, Maira Kalman and Bruce McCall, and was curated by Melissa Martens. The exhibition’s companion publication “Mah Jongg: Crak, Bam, Dot” was edited by Abbott Miller and Patsy Tarr.

The exhibition, which originated at the Museum of Jewish Heritage, in New York has garnered notice in The New Yorker, The Wall Street Journal, The New York Times and the LA Times, and is on view at the Jewish Museum of Maryland through June 29, 2014. The show has travelled to Portland, Cleveland, LA, Miami Beach, Atlanta and will continue on to San Francisco this summer. Learn more at Project Mah Jongg’s website.

Gravity Hill Newsreels: Occupy Wallstreet (4/14)

Jem-CohenThe Center for Art, Design and Visual Culture presents filmmaker Jem Cohen who will discuss 12 short observations about Occupy Wall Street (2011/2012), New York City. This presentation will take place Monday, April 14 at 7:00 p.m. in the Albin O. Kuhn Library Gallery.

“In regards to Occupy Wall Street, when friends asked me where the newsreels were, I decided to plunge in and make some myself. We knew there’d eventually be many documentaries made about the phenomenon and that there were already short advocacy pieces in support of the movement (as well as YouTube slams against it). My own interest lay elsewhere: in a kind of reporting based on direct observation that expresses solidarity without propaganda, while leaving room for experimentation and lyricism.” – Jem Cohen

Learn more about this event at our Arts and Culture Calendar.

Zane Forshee, Classical Guitar (4/10)

2327985283Zane Forshee, heralded as “one of his generation’s finest guitarists” by Fingerstyle Guitar Magazine, performs an evening of works Thursday, April 10 at 8 p.m. in the Fine Arts Recital Hall.

Active both as a soloist and in chamber ensembles, recent concert engagements have taken Forhsee across North America, Europe, and Asia, where his live performances have been noted for possessing “a beautiful ever-flow that held the audience captivated” (Retriever Weekly).

Zane has been featured at the Palacete de Amezúa (Madrid), the Joseph Joachim Konzertsaal (Berlin), the Library of Congress (Washington, D.C.), the New York City Classical Guitar Society, and the Chimei Museum (Taiwan). He has given collaborative performances with Opus 1 Contemporary Dance Company, in addition to solo and chamber recitals for the Philadelphia Classical Guitar Society, the Omaha Guitar Guild, and the Endless Mountain Music Festival.

Discover more about the artist and ticketing at our Arts and Culture Calendar.

Antoni Muntadas, Visiting Artist Lecture (4/10)

3659688708_52364e3fe4_oUMBC’s Department of Visual Arts and the Center for Art, Design and Visual Culture welcome the internationally acclaimed multidisciplinary installation artist Antoni Muntadas, Thursday, April 10 at 7:00 p.m. This lecture will take place in Lecture Hall 1. Muntadas’ work has been exhibited in major art institutions throughout the world, and addresses social, political and communications issues, including the relationship between public and private space within social frameworks. His work also investigates channels of information and the ways they may be used to censor or promulgate ideas.

Organized by Visiting Curator Niels Van Tomme, Muntadas’ lecture will initiate a new exhibition project entitled Muntadas: Activating Artifacts. Conceived exclusively for the Center for Art, Design and Visual Culture at UMBC, Muntadas: Activating Artifacts is scheduled to be presented in the fall of 2015.

Learn more at our Arts and Culture Calendar.

Book of Lies (4/7-5/31)

9 Georganne Deen Mother’s LiesMonday, April 7, Book of Lies, curated by Corazon del Sol and circulated by Curatorial Assistance Traveling Exhibitions, Pasadena, California, will open in the Albin O. Kuhn Library Gallery. The exhibition will continue through May 31.

Book of Lies examines the lie as human strategy using examples drawn from artists’ responses to the questions, “What is the lie with which I am most complicit?” and “What is the truth that most feeds my life?” Conceived of as a global conversation about truth and lies held through the medium of works of art and poetry, Eugenia P. Butler invited artists to use the lie to explore our relationship with the truth. The exhibition examines the lie as a human strategy using examples drawn from life situations including childhood, love, and war. Seventy-eight artists responded to these questions in unique and provocative ways, resulting in a body of work curated by Butler and Corazon del Sol titled Book of Lies.

More information about this exhibition is available at our Arts and Culture Calendar.

Image: Georganne Deen, Mother’s Lies, 1994.