The Center for Art, Design and Visual Culture presents the exhibition Out of Rubble, which reacts to the wake of war — its realities and its representations. The rubble that each war leaves behind shapes today and tomorrow — physically, psychologically and spiritually. Responding to a wide range of violent encounters taking place over four continents, Out of Rubble presents works by seventeen artists and architects from over ten countries who consider its causes and consequences, its finality and future, moving from decimation and disintegration to the possibilities of regeneration and recovery. Featured artists and architects include: Taysir Batniji, Lenka Clayton, Andrew Ellis Johnson, Susanne Slavick, Monica Haller, Sara Pellegrini and DAAR, Simon Norfolk, Jennifer Karady, Heide Fasnacht, Wafaa Bilal, Elaine Spatz-Rabinowitz, Enrique Castrejon, Rocio Rodriguez, elin o’Hara slavick, Osman Khan, Hirokazu Fukawa, Jane Dixon and Samina Mansuri. The exhibition is curated by Susanne Slavick, Andrew W. Mellon Professor of Art at Carnegie Mellon University.
The exhibition’s opening reception will be held on Thursday, April 2, from 5:00 to 7:00 p.m. The Center for Art, Design and Visual Culture is open Tuesday through Saturday from 10 am to 5 pm and is located in the Fine Arts Building. Admission is free. For complete information, click here.
On Saturday, March 28 at 4:00 p.m. in the Concert Hall, as part of the Department of Music’s Jazz Festival, the Maryland All State Jazz Band presents high school students from around the state performing big band jazz. Complete information is available by clicking here.
On Friday, March 27 at 7:30 p.m. in the Concert Hall, as part of the Department of Music’s Jazz Festival, the UMBC Jazz Faculty Ensemble will perform an eclectic concert of creative, improvised music. Members include trumpeter Tom Williams, vibist Mike Noonan, guitarist Tom Lagana, pianist Harry Appelman, bassist Tom Baldwin, drummer Scott Tiemann, and saxophonist Matt Belzer. Complete information is available by clicking here.
UMBC’s Department of Theatre presents These Shining Lives by Melanie Marnich, directed by Nyalls Hartman. Performances will be presented March 26 through 29 in the Black Box Theatre in the Performing Arts and Humanities Building.
An emotionally-gripping story of survival, These Shining Lives chronicles the strength and determination of the women who worked at the Radium Dial Clock Company in Ottawa, Illinois during the 1920s and 1930s. Based on true events, the play dramatizes Catherine Donahue’s race against time and the bittersweet triumph of the women of Radium Dial as they stand up against oppression and injustice to hold the famous clock maker accountable for its negligence involving radium poisoning. Touching, wistful, and beautifully tragic, These Shining Lives turns back the hands of time and reminds us today that we must remain ever-vigilant in the fight against injustice to protect our own lives and the lives of those we love.
Complete information is available here.
UMBC’s 2015 MFA candidates in the Intermedia + Digital Arts (IMDA) program — Tim (Silouan) Bubb, Chanan Delivuk, Kata Frederick, Jason Hughes, Meghan Marx and Victor Torres — are featured in Incidental Matters, an exhibition presented jointly at Jordan Faye Contemporaryand Maryland Art Place (MAP) (both at 218 West Saratoga Street), and Current Gallery (421 North Howard Street). The exhibition is sponsored by UMBC’s Center for Art, Design and Visual Culture (CADVC), Department of Visual Arts, and the College of Arts, Humanities, and Social Sciences, in partnership with the Bromo Arts and Entertainment District. The exhibition continues on display through April 10.
An Opening Reception will be held simultaneously at all three spaces on Thursday, March 26, from 5 to 7 pm. At MAP, Victor Torres will perform from 5:00 to 7:00 p.m.; at Current Gallery, Kata Frederick will perform a drawing from 5:00 to 6:30 p.m.; and at Current Gallery Chanan Delivuk will perform an oral history beginning at 6:30 p.m.
Complete information about the exhibition is available by clicking here.
Eric Dyer, associate professor of Visual Arts, has been featured in the February 20 Huffington Post, “Artist Transforms Zoetropes from Retro Visuals to the Stuff of Fine Art.” The article, which called Dyer “the modern master of the zoetrope,” contains several embedded videos of Dyer’s artworks, many of which are now on display in New York exhibitions. Read the complete article here.
In the latest essay for his Race Stories column in The New York Times, Maurice Berger, research professor at the Center for Art, Design and Visual Culture, examines a new exhibition at the Bronx Museum of Art, “Three Photographers From the Bronx: Jules Aarons, Morton Broffman and Joe Conzo,” which opens Thursday, February 26. “Over the past 40 years,” writes Berger, “our collective view of the Bronx has all too often embraced the media-driven myth of its inexorable decline. For many, the blight, addiction and poverty that plagued parts of the South Bronx in the 1970s have come to symbolize the whole borough. But as Mr. Conzo’s photographs suggest, the reality of the Bronx has been far more complicated. They demonstrate the power of courage, cultural expression and political advocacy to sustain even the most endangered neighborhoods.”
Read “Complicating the Picture of Urban Life” and view the photographs at The New York Times Lens blog.
Berger’s Race Stories column, which appears monthly on The New York Times website, is “a continuing exploration of the relationship of race to photographic portrayals of race.”